Internationaler Wettbewerb, Fanfare Kalaschnikov and Miss Platnum(8/2012)

Live Recording, Mixdown and Mastering

 Internationaler Wettbewerb(3/2012)

Live Recording

 Eigenart (3-5/2012)

Recording, Mixdown und Mastering

 Legacy for Dave: Ways of Devotion (1-2/2012)

Mixdown and Mastering

 Salema - Special Guest Richard Howell (12/2010)

Live recording in the Junction Bar (Motu 2408MK2,Focurite Octopre, Neumann KM180, Cubase 5) followed by Mixdown and Mastering

 Rapworkshop (2009)

Within the framework of a social project against alcoholism a Rapworkshop for youths has been initiated. During three days, with 3 hours respectively, four songs has been recorded and mastered

 Remix of The Age of Necrophile (2009)

The old 8-channel tapes has been digitally remastered

 Schottenkinder (2009)

Successful experiment to record 60 songs with 30 children and youths in a 20qm recording studio of Acud e.V. within 6 hours recording time. Using Cubase 5, Motu 2408MK3, Focusrite Octopre le...
Recording and mixdown has been done together with Frank Niemeyer of A.C.U.D. e.V.

 Gradt: Stormwind (2006)

Recording using 2 ADATs in Berlin Zehlendorf

 Gradt: Backspin (2004)

Recording using 2 ADATs in Berlin Zehlendorf

 Gradt: From here to know (2000)

Recording using ADATs in Berlin Zehlendorf

 The Age of Necrophile: Live in der HU-Berlin (1996)

Recording (Fostex A8 see below) and PA at once. Mixdown is in progress.

 Die Schatten: Estuans Interius (1996)

Recording using Fostex A8 and an Atari synchronized via SMPTE in a house in Berlin Zehlendorf (guitar and vox), followed by the mixdown

 Steve and the Guitars (1995)

8-track recording live in an industry hall/entrance/toilet, followed by mixdown at the same location.Three songs in 2 days.

 Sinister Vacancy (1994)

Recording using Fostex A8 and an Atari synchronized via SMPTE in an appartment in Berlin Prenzlauer Berg (guitar and vox), followed by the mixdown

 The Age of Necrophile 1994

Seven days, 8-track recording (drums on 2 tracks) in a garden hut at Waldsieversdorf near Berlin. Followed by a mixdown in Aalen at MM-Musicproductions. The tapes had been copied on two Adats, cutted and mixed during two weeks

 Mind the Gap (1994)

Recording with a Fostex A8 1/2" tape recorder in a cellar at Berlin Prenzlauer Berg

 Die Schatten: Yggdrasil (1993)

Recording using Fostex A8 and an Atari synchronized via SMPTE in an appartment in Berlin Prenzlauer Berg (guitar and vox), followed by the mixdown

 Happy Slaves Live in Aalen

Live-Recording at Aalen and responsible for the concept and the mix of the P.A.. The recording was supervised by Matthias Kohl of MM-Musicproductions. The following mixdon had been done together.

 Reformation C (1991)

Recording with an eight track tape recorder of tascam (1") synchronized with an Atari via SMPTE and DDrum. Mixdown in Heidenheim using only headphones.